We now look at the origin of the Devil of Fuckno.
You should not follow in this fiction.
THE
FUCKNO
WARS
CH 16
THE
CHRONICLES
OF
SVEN
Rich Old Dead Woman
by Michel Warlop
Sven Slindlivrenn hummed as he worked. He wanted to perfect his art. He created masterpieces with his bare
hands. His palette was human pain, and
he painted in one color. His canvas was
human skin, and his brush stroke sliced through tendons and fascia, the tough
sheath covering each muscle.
One hour before this:
Sven asked the tiny old woman if she was the person from
Obervarten Staargarten 132 who needed a plumber this late in the evening.
She shook her head through the small window in the door, holding
away the tiny lace curtain that could have been a corner-table doily in another
life. She peered up into his face
through the glass. Outside, in the falling snow, there stood
a tall man; wiry and taut; almost handsome.
She looked down at the large, red toolbox in his left hand and
saw that he leaned away from its heft.
It must be heavy, she thought, it must be filled with metal tools.
She was correct.
He asked her if she could tell him the way to the correct
house, for certainly those folks needed his assistance, at such a late hour? His voice was muffled beyond the heavy oak
door.
She nodded.
She could help him.
She opened her door to him.
I Am A Passenger by
Iggy Pop
Sven pulled the back skin across one end of the large
picture frame that he’d taken from its place over the long forgotten, dusty dining room
table. This table now served another
purpose. There was no butcher’s drop
cloth beneath it to catch the drippings.
He used his heavy-duty staple gun to attach the skin across
and behind one end of the frame. He
turned it around clockwise and pulled the skin up and over the other end of the
frame. He pulled it taut with one hand and stapled it down with the other, with each squeeze of the handle.
CHK-CHKK.
CHK-CHKK.
CHK-
CHKK.........
Inside out, with globules and streaks of subdermal fat
strewn across the sheet, he would have to do some scraping. Usually, when you tan a hide, you use the
brains of the animal to cure the skin.
You mix it with salt and you smear it on the skin after you have scraped
the fat and the veins off.
But at that moment, there was not enough time.
To tan a hide will take some time.
In the late evening until early morn, the work Sven did might have continued for another three days, until after the snow storm had
passed. Her old, frail body would not be
discovered until perhaps a few more days after that. He simply did not
know this, and there was no reason for him to risk such a thing as to enjoy himself for
three full days.
One night’s torture and then some rape and some eating would have to be enough.
He needed to work in the heat. Fat is most easily removed from skin when it is in
the sunlight, on a warm day. For him,
crafting his art, he could only turn up the heat in the little house, in the
middle of winter, in a mountainous country where heating fuel was quite
expensive, and the warmth of a spring day lied ahead in four months.
He would need to escape to a warmer clime for his work. And also, to escape being caught.
Fifty minutes before:
Sven cracked open a tiny vial of smelling salts and swung it back and forth under the nose of his victim. She didn't know that she was a victim, yet. She
swung her head away from it and her eye opened.
The side of her face hurt, and she could see from only one
eye. The other one was swelling up. Her jaw did not close properly. It was broken, but she could not feel the pain yet. She was in a state of shock. She tried to reach for her jaw with her hands, but
they could not move. They were tied at
the wrists, behind her chair.
She looked up with her one good eye at the blurry man before
her, and he came closer, into view. He
set her eyeglasses back upon her noggin, and she could see him a bit
better. The lens over her good eye was
not broken.
The other lens was broken down the middle, but her swollen
eye could not see that.
Sven leaned in and said, “What is your name?”
She coughed, and her ribs hurt. She said, “Can you help me? I am in pain! Who are you?!”
He said, “I am Sven Slindlivrenn. I'm not sorry, but your pain will not end all too soon.”
She struggled with her wrist ties. She was stuck. She was not in a good place, she could
tell. She said, “I don’t know what is
going on. Can you call for help?” She was not thinking correctly. She was not in her right mind. She said, “Can you call a plumber?”
Sven stood back up and he laughed. He said, “I am going to help you out.” He held up his tin snips and he used them to
cut away the front of her night gown. He
was a very bad person, and he was going to take his time with her.
He set the tin snips down on the dining room table, next to
the red tool box.
He picked up the blow torch and the sparker.
He would take his time.
He was hungry.
It was time to cook.
He would eat.
The he would have her dessert.
Then he would paint.
Then he would look for her valuables, and he would discover that her hoard would be quite enough to fund his travel to another country.
CHK-CHKK.
CHK-CHKK...
After he was satiated...
Sven placed the framed skin canvas down next to the body of the
frail old woman on the dining room table.
He dipped the tip of his penis into the pool of blood inside her opened heart.
He began to paint.
That is the what became of the City of Fuckno.
Sven had created a minion.
God Help You.
God Help Us All.
---willies out.
Chalk Outline Three
Days Grace
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